Available from Warehouse - Usually Delivers in 3-14 Days
A moving story about a woman who gives up her own ornithological studies to follow her husband to his secret assignment at Los Alamos. But when she meets a Vietnam vet, she comes to realize there are choices she never thought possible. I really liked this one!
May 2016 Indie Next List
“Church deftly traces the life of Meridian Wallace, an intelligent young woman who is searching for who she is and what she wants to become. As America braces for entrance into WWII, Meri falls for the ambitious Alden Whetstone, a much older but brilliant scientist. Aspiring to be a 'good wife,' Meri abandons her own academic pursuits in ornithology to follow Alden to Los Alamos, but the years that follow are filled with dashed hopes and compromises. Over the decades of her marriage, Meri attempts to fill the void of unrealized dreams by making a home and reclaiming her sense of self. Filled with sharp, poignant prose, the novel mimics the birds Meri studies, following her as she struggles to find her wings, let go, and take flight. Church gives readers a thoughtful and thought-provoking examination of the sacrifices women make in life and the courage needed for them to soar on their own.”
— Anderson McKean (W), Page & Palette, Fairhope, AL
In her sweeping debut novel, Elizabeth J. Church takes us from the World War II years in Chicago to the vast sun-parched canyons of New Mexico in the 1970s as we follow the journey of a driven, spirited young woman, Meridian Wallace, whose scientific ambitions are subverted by the expectations of her era.
In 1941, at seventeen years old, Meridian begins her ornithology studies at the University of Chicago. She is soon drawn to Alden Whetstone, a brilliant, complicated physics professor who opens her eyes to the fundamentals and poetry of his field, the beauty of motion, space and time, the delicate balance of force and energy that allows a bird to fly.
Entranced and in love, Meridian defers her own career path and follows Alden west to Los Alamos, where he is engaged in a secret government project (later known to be the atomic bomb). In married life, though, she feels lost and left behind. She channels her academic ambitions into studying a particular family of crows, whose free life and companionship are the very things that seem beyond her reach. There in her canyons, years later at the dawn of the 1970s, with counterculture youth filling the streets and protests against the war rupturing college campuses across the country, Meridian meets Clay, a young geologist and veteran of the Vietnam War, and together they seek ways to mend what the world has broken.
Exquisitely capturing the claustrophobic eras of 1940s and 1950s America, The Atomic Weight of Love also examines the changing roles of women during the decades that followed. And in Meridian Wallace we find an unforgettable heroine whose metamorphosis shows how the women’s movement opened up the world for a whole generation.
About the Author
Elizabeth J. Church was born in Los Alamos, New Mexico. Her father, a research chemist, was drafted out of Carnegie Mellon University, where he was pursuing his graduate studies, and was sent to join other scientists working in secret on the Manhattan Project. Church’s mother, a biologist, eventually joined her husband in Los Alamos. While The Atomic Weight of Love is not their story, it is the story of many of the women who sacrificed their careers so that their husbands could pursue unique opportunities in scientific research. Along with other Los Alamos children, Church grew up in an environment that gave her ready access both to nature and to female teachers who had advanced degrees in mathematics, chemistry, physics, biology, and other disciplines. Church practiced law for over thirty years, focusing on mental health and constitutional law issues. After circumstances taught her the brevity of life, she walked away from the law to pursue her original dream of writing. She has written extensively for legal publications and scientific journals. Her short story "Skin Deep" won first prize in Literal Latté’s 2001 fiction contest, and "Lying with Dogs" was published in Natural Bridge in 2002. This is her first novel.
“A tightly crafted novel.” —The New York Times Book Review
“Church's absorbing debut novel shows the loneliness and pain that exists for the woman behind the famous man . . . We see it all through the prism of Meridian Wallace Whetstone, a woman ahead of her time.” —Bookreporter.com
“Inspiring, empowering, and heartbreaking in turn.” —The Roanoke Times
“Church’s debut will likely strike a chord, especially with women who find that not much has changed in our patriarchal society since Meri’s time, and that Meri’s story might well be their own.” —Booklist
“Church's debut novel explores the relationship between sacrifice and love . . . Each sentence drives the plot further, exploring love's limits and its spoils. But it's Church's exploration of Meridian's role in her relationships that is the most gracefully executed feat of the novel. Meridian's voice is poignant, a mixture of poetry and observation . . . An elegant glimpse into the evolution of love and womanhood.” —Kirkus Reviews
“Church hits the mark in this emotionally driven debut that spans the chapters of a long life . . . What does love require of us? How does one strike a balance between compromise and self‑fulfillment? In her debut novel, Church writes to these issues in a style that is thoughtful and elegant.” —Library Journal
“Oh, what an incandescent debut! Church follows one extraordinary woman, who is brave to enough to challenge the times, take defiant wing, and chart her own extraordinary flight path. So engrossing, I couldn’t wait to read another page, and so alive, I never wanted the story to end.” —Caroline Leavitt, author of Is This Tomorrow and Pictures of You
“This exquisite debut is the beautifully written story of a woman who must negotiate the tricky terrain of love, responsibility, ambition and sacrifice. In her impeccable portrayal of a long marriage, Elizabeth Church weaves together the historical and the personal and shows the impossible choices women faced--and still face--between family and self.” —Tara Conklin, author of The House Girl