Race, class, sex and guilt/
a liberal college town/
Long a huge fan of E.M. Forster, Smith pays homage with this modern retelling of Forster’s masterpiece Howards End. The results are terrific—a big, old-fashioned novel about class and family. Smith’s writing appears effortless; the plot is just as pertinent now as it was in Forster’s day, and her characters live and breathe like members of your own family.— Rico
Zadie Smith understands people the way Dostoevsky understood people: the ways in which where they come from and who they come from influence where and how they end up. Reading this book is like joining another family, and though every member is flawed - to say the least - each character feels like a real person. A nearly perfect book.— Jess
Howard Belsey, a Rembrandt scholar who doesn't like Rembrandt, is an Englishman abroad and a long-suffering professor at Wellington, a liberal New England arts college. He has been married for thirty years to Kiki, an American woman who no longer resembles the sexy activist she once was. Their three children passionately pursue their own paths: Levi quests after authentic blackness, Zora believes that intellectuals can redeem everybody, and Jerome struggles to be a believer in a family of strict atheists. Faced with the oppressive enthusiasms of his children, Howard feels that the first two acts of his life are over and he has no clear plans for the finale. Or the encore.
Then Jerome, Howard's older son, falls for Victoria, the stunning daughter of the right-wing icon Monty Kipps, and the two families find themselves thrown together in a beautiful corner of America, enacting a cultural and personal war against the background of real wars that they barely register. An infidelity, a death, and a legacy set in motion a chain of events that sees all parties forced to examine the unarticulated assumptions which underpin their lives. How do you choose the work on which to spend your life? Why do you love the people you love? Do you really believe what you claim to? And what is the beautiful thing, and how far will you go to get it?
Set on both sides of the Atlantic, Zadie Smith's third novel is a brilliant analysis of family life, the institution of marriage, intersections of the personal and political, and an honest look at people's deceptions. It is also, as you might expect, very funny indeed.
"...[A] thoroughly original tale about families and generational change, about race and multiculturalism in millennial America, about love and identity and the ways they are affected by the passage of time. Ms. Smith possesses a captivating authorial voice—at once authoritative and nonchalant, and capacious enough to accommodate high moral seriousness, laid-back humor and virtually everything in between—and in these pages, she uses that voice to enormous effect, giving us that rare thing: a novel that is as affecting as it is entertaining, as provocative as it is humane." —Michiko Kakutani, The New York Times
"Oh happy day when a writer as gifted as Zadie Smith fulfills her early promise with a novel as accomplished, substantive and penetrating as On Beauty. It's a thing of beauty indeed. In tackling grown-up issues of marriage, adultery, race, class, liberalism and aesthetics, she thrillingly balances engaging ideas with equally engaging characters. As good as she is with big ideas, Smith is even stronger at capturing family dynamics, the heartbreak of broken trust as well as the lovely connections between siblings. —The Los Angeles Times Book Review
"In this sharp, engaging satire, beauty's only skin-deep, but funny cuts to the bone." —Kirkus Reviews