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Description
Set in a Greek village in 1942, and purportedly written from his imagination by a Danish man before he was picked up by the Gestapo and not seen again, here is Ariel Dorfman’s haunting and universal parable of individual courage in the face of political oppression. Widows forms a testament to the disappeared—those living under totalitarian regimes the world over, who are taken away for "questioning" and never return.
One by one, the bodies of men wash up on the shore of the river, where they are claimed by the women of the local town as husbands and fathers, even though the faces of the dead men are unrecognizable. A tug-of-war ensues between the local police, who insist that the women couldn’t possibly recognize their loved ones, and the women demanding the right to bury their beloveds. As it evolves, the stand-off reveals itself to be a power struggle between love, dignity and honor, and the lesser god of brute force. A lesson in how power really works, and how it can be made to work differently.
About the Author
Born in Buenos Aires in 1942, ARIEL DORFMAN is a Chilean citizen. A supporter of Salvador Allende, he was forced into exile and has lived in the United States for many years. His works include Death and the Maiden, which has been produced in over one hundred countries and made into a film by Roman Polanski, as well as numerous other works of fiction and nonfiction. Dorfman has won many international awards, including the Sudamericana Award, the Laurence Olivier and two from the Kennedy Center. He is distinguished professor at Duke University and lives in Durham, North Carolina.


















